Kings of Pastry is one of my favourite documentaries of the last year, a film which draws you into the passion and heartache of a group of pastry chefs trying to reach the pinnacle of their careers as part of the Meilleurs Ouvriers de France competition. Any story that includes cake, competition and craft is a perfect combination, especially when directed by legendary filmmakers Chris Hegedus (Al Franken: God Spoke, The War Room) and DA Pennebaker (Monterey Pop, The War Room, Don’t Look Back).
During the film’s festival tour I was lucky enough to have some time to talk to them about the film, their experience working together and the lost dream of filming Richard Nixon at Thanksgiving dinner, which was a dream come true for me. I apologise in advance for the technical issues, filming in a busy hotel during the festival rush is a tricky endeavor.
Kings of Pastry has now begun its theatrical release and details of the screenings are here. The official synopsis and trailer are after the jump.
Imagine a scene never before witnessed: Sixteen French pastry chefs gathered in Lyon for three intense days of mixing, piping and sculpting everything from delicate chocolates to six-foot sugar sculptures in hopes of being declared by President Nicolas Sarkozy one of the best. This is the prestigious Meilleurs Ouvriers de France competition (Best Craftsmen in France). The blue, white and red striped collar worn on the jackets of the winners is more than the ultimate recognition for every pastry chef – it is a dream and an obsession.
Filmmakers D A Pennebaker and Chris Hegedus secured exclusive access to shoot this epic, never-before-filmed test of France’s finest artisans. The film follows chef Jacquy Pfeiffer, co-founder of Chicago’s French Pastry School, as he journeys back to his childhood home of Alsace to practice for the contest. Two other finalists are profiled in the film — chef Regis Lazard, who was competing for the second time (he dropped his sugar sculpture the first time), and chef Philippe Rigollot, from Maison Pic, France’s only three-star restaurant owned by a woman.
During the grueling final competition, chefs work under constant scrutiny by master judges and the critical palates of some of the world’s most renowned chefs evaluate their elaborate pastries. Finally, these pastry marathoners racing the clock must hand carry all their creations including their fragile sugar sculptures through a series of rooms to a final buffet area without shattering them. The film captures the high-stakes drama of the competition – passion, sacrifice, disappointment, and joy – in the quest to become one of the KINGS OF PASTRY.